Recommend to a friend! A logline is a one-sentence summary of your script. It's the short blurb in TV guides that tells you what a movie is about and helps you decide if you're interested in seeing it. It's the grabber that excites your interest.
Grab the audience from the start Don't take too long to get started into the main action of the play. Some plays we read were more like novels and used too much narration.
Radio Drama thrives on strong narratives. Watch our video on How to Start Writing. Write about something that is personal to you Think what you are trying to tell the world. Why does your play matter? Write about something personal to you — write about a world you know.
If you want to write about an historical event, think about how you are going to tell the audience something new about it. Good drama is not simply about one idea but about what happens when two ideas collide.
Fifty-three minutes gives you a lot of time to develop your plot and your subplot. Find advice on writing for radio on BBC Writersroom. Vary the pace and length of your scenes A radio play which has five ten-minute scenes, each set in a dining-room, is likely to be less effective than a play which varies its scenes and settings.
Using a variety of backgrounds, scene lengths and sound effects will usually make the story more effective for the listener. Watch our video Creating Rhythm and Texture on enhancing the voice and making the play sound distinctive.
Make sure the structure keeps them listening Think about beginning, middle and end and your play. Think about what will grab the audience in the first ten pages and then, as the play unfolds, why they should keep listening.
Then think about how the situation in your play develops and changes through the middle of the play and then how it is resolved. Use the element of surprise! Audiences can begin listening at different points throughout your play, so you need to think about what will hook them in throughout the story and then what will keep them listening to the end?
Get under the skin of your characters Get to know them really well. Each will have their own individual speech mannerisms. Watch our video on Writing in a Second Language 6.
Express your characters between dialogue and interaction If you want to have one central character, think about how you can express character through dialogue and interaction with other characters, rather than them talking out loud to us for long periods. Fifty-three minutes of listening to one voice, even with the best actor in the world, is tricky to sustain!
Don't have characters telling each other information they already know. Even if this seems to be furthering the plot - characters should speak to one another.
Watch our video on Special Effects and Sound for more tips on this. Express the visual elements in a subtle way Think about how to express visual elements of your play in a subtle way to help the audience imagine the story you are telling. If you have a very visual idea that you want to write about — perhaps a fantastical creature — think how, without visuals, you can make the audience understand who or what is speaking.
Listen to some plays on Radio 4 to get a feel for this.Remy Dunagan, “Lucid”: The key to a good short film script is only writing what explicitly needs to be known.
Everything else, tell it visually. Leave the audience guessing and talking, it’s. Just Getting Started? Start your freelancing career off right with the third edition of Moira Allen's Starting Your Career as a Freelance Writer!
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Improve Your Screen Writing Abilities And Learn About Industry Standard Script Formatting, Creating Characters, Selling Your Script, And Much More. 20 Responses to 6 Tips On Writing A One Page Pitch For Your Script Or Novel. Radio Drama thrives on strong narratives.
Whether you’re writing a tragedy, a comedy or a play to change the world, a great storyline will keep your audience listening.